Monday, 12 April 2010

Vote For Policy

Some of you will already be aware of voteforpolicies.org.uk. For those who aren't, go to the website and find out for yourself, lazy buggers...

But seriously, as the name suggests the site was set up to encourage people (quite admirably) to not just blindly vote for a party, and instead take the time to look at the parties policies and vote according to those you think are best. The centre piece of the website is a survey in which you chose at least four policy areas from a list of twelve, and then each of the 6 biggest party's (Labour, Tory, Lib Dem, Green, UKIP, BNP) policies on the issue are brought up unlabelled. You are then asked to chose the set of policies you think are the most sensible, and at the end it tells who you liked in each area, and which party you are most suited to.

It's a great tool for those who haven't decided which way to vote, or for those who want to test their allegiances. But it does throw up other interesting points. For example, a couple of the areas (namely education) are so difficult to chose from, for the sole reason that every party is rather wishy washy, none of them actually seems to have a real idea about what to do (or maybe that's just me...) .

Also, a fun game to play is spot the BNP. It's very easy. Just look for the phrase "decent white British people." You can also play this game with UKIP (both parties policies are unsurprising similar).

My personal results were 83% Green, 17% Labour. I expected as much (although I wouldn't have been surprised to see Lib Dem in there), and it seems that most of the 83,000 or so people who have done the survey already agree, since the current winning party is Green, followed by Lib Dem and Labour. Unfortunately, I doubt the election will turn out like this.

The main premise of this survey is something I strongly agree with. Living in Surrey, I'm sick and tired of everyone moaning about our MP, Council etc, yet the Conservative MP for Reigate, Crispin Blunt, has a 10,000 majority, while the council is overwhelmingly Tory. People will blindly vote Tory in this area, and it is bewildering how many people just won't vote because of it.

So, if anyone reading this doesn't know who they're going to vote for, or think they know who they should vote for, just take a few minutes to do the survey. You might be surprised...

Monday, 4 January 2010

Taste Of Chaos: A night of metals!

Taste of Chaos tours can be a bit hit and miss. They can include great bands like Rise Against and Alexisonfire, or they can feature utter cack such as Thursday or Aiden. Urgh.

Thankfully, the 2009 line-up is quite possibly the best yet. A late arrival means missing Maylene & The Sons Of Disaster (a serious disappointment), but means we arrive to see Every Time I Die. Energetic and heavy, they're everything you'd imagine they would be from listening to their recordings. A good mix of the old (Ebolarama, The New Black) and the new (Wanderlust, The Marvelous Slut) means the diehards are kept happy while they probably managed to gain new fans. However (and I realise they were a support band) their slot is far too short for a band with 5 albums. (7)

In Flames surpass themselves in the lighting department again, the strobes raping the eyes of the audience until they can see no more. This is probably for the best, since they do very little moving. But musically they are solid, and despite a mediocre set list, they are very impressive. The highlights include Cloud Connected, Pinball Map and Take This Life while even tracks from the disappointing latest offering (Delight and Angers, The Mirror's Truth, Alias) sound at least listenable, possibly enjoyable. Again, the set list is far too short for a band of this stature, and a headlining tour is desperately required. (8)

What more can be said about Killswitch Engage? A large and dedicated fan base, a great new album and a foul-mouthed guitarist who dresses up in a tutu and demands to be deemed a princess. They have it all, and tonight we see it all. Opener My Curse has the goosebumps rising in anticipation, This Is Absolution has the crowd at full volume. Rose Of Sharyn and My Last Serenade are as brilliant as ever, true modern metal classics, before End Of Heartache and Holy Diver (complete with a touching dedication to the Dio, who is battling stomach cancer) bring a fantastic gig to a close. A brilliant ToC tour (organisers take note). (9)

Sunday, 27 December 2009

Copenhagen - Hopenhagen - Nopenhagen

Whenever and wherever a conference attended by the world's political leaders takes place, it usually has a familiar feel to it. Mass protests, heavy handed police and an end result which is hailed by some as a great hope for the world and by others as an almighty flop.

The Copenhagen Climate Change Summit was the latest of these, and the hype leading up to it was quite explosive. Finally all the world can come together and bash out an agreement on how to combat one of, if not the greatest threat to our world for some time.

In the end, the hype only proved to mask the apathy of the majority of people, politicians included, feel about the issue. People just don't care, and others try to absolve the guilt of years of mass industrialisation causing the inevitable collapse of our planet by pretending it's nothing to do with them (see: Jeremy Clarkson). The fact that the majority of scientists seem to agree this is happening because of human hands isn't enough for them, it's all a left wing plot to gain control over everyone and create a totalitarian world... apparently.

The problem is that there isn't anyone in power who really wants to do anything. In the UK for example, Labour comes out with the rhetoric about acting now to save the planet, then decide what we really need is a third runway at Heathrow. Apparently we need it for economic growth (personally I feel that if economic growth means ignoring our commitment to saving the planet then it can piss off). And whatever the Conservatives say, they won't be any better. There will be a few flimsy schemes here and there, but it won't do much. Governments tend to do the bidding of whomever gives them a lot of money these days, and right now that's energy companies.

In the end the agreement was woeful. The more important issues were kept for debating probably next year, while the Gordon Brown said: "We have made a start." Erm.. its a bit late to be making just a start now! The finger of blame has been thrown around, George Monbiot blamed America, saying they put China in an "impossible position", while Ed Miliband blamed China. In reality, both are to blame. America refuses to make concessions, while China sees that it has the right to the growth that other developed countries have already seen. Interestingly, The Australian blamed African nations for demanding the world improve its living conditions; they should be, its sort of part and parcel of a deal to battle climate change that we should also help a Continent we have raped for resources over the years.

So a flop it was. And it didn't help that everyone flew in and limos were driven in from Germany to transport people, adding very much to the problem and giving the climate change deniers more ammo. In other words, we're screwed. Best say goodbye to Bangladesh, Maldives and any other places that won't exist in about 50 years time.

Ps. If you didn't listen to The Now Show last weekend, try to. Marcus Brigstocke's bit on this very subject was fantastic.

Sunday, 22 November 2009

Rise Against: That is all.

I should start off by putting this night into perspective. Firstly, I managed to get near the front, but was crushed up in an incredibly hot atmosphere, more so than I've ever experienced. Then my phone was stolen. Not a good night you might think.

But there you'd be wrong, because I was seeing Rise Against. They start with Collapse (Post-Amerika), one of the best of the new crop of tracks, moving on to State Of The Union, by which point I've started to lose my voice. It almost completely goes over the next few songs, Re-education (Through Labour), The Good Left Undone, Paper Wings, Drones, everyone met with thousands singing at the tops of their voices. But it doesn't stop there. Blood to Bleed, Audience Of One, Saviour, Survive, then of course Prayer Of The Refugee, for which the biggest cheer of the night goes up.

But it really comes to a climax with the first encore, an acoustic set of Swing Life Away and Hero Of War, which has everyone swaying arms and singing and leaves me with raised hairs and goosebumps. Absolutely brilliant. But it isn't over yet. Give It All then Ready To Fall see us out, and the crowd go absolutely mental again. Quite possibly, this was one of the best gigs Brixton Academy has ever seen and a fantastic night was had by all (even by me and dozens of people who queued up at the lost property area in a fruitless attempt to find our phones). 10/10

Thursday, 19 November 2009

Alice In Chains: A kinky sex show. Maybe not.

Alice In Chains
Kentish Town Forum

One of the main bands to come out of the early 90s grunge scene, though with more in common with metal than the other bands of the era, Alice In Chains are now touring in support a new album, "Black Gives Way To Blue". It's quite good, you should check it out. Anyway...

The support band for tonight are seemingly unknown, or at least most of the people there had no clue who they were. Oxford trio "Little Fish" apparently. They get off to a poor start, the opening track is rather dull, but its very much uphill from there. The singer has a powerful voice and she seems to be a little psychotic, which is always good, plus the songs get a lot better. Well worth checking out. (8/10)

Between the bands some nice fellow (read: wanker) throws a cup of liquid which splashes me and my friends in the face. It was warm. Lovely. (-200/10)

But now for the main event. As a recent convert to the Alice In Chains fold, I wasn't sure what I'd make of the gig. I had listened to some tracks and really enjoyed them, but what if everything else was rubbish? I needn't have worried. They start with It Ain't Like That, and Again, typically deep dark dirty tracks. "Them Bones" and "Dam That River" from their best album "Dirt" sound even better live and the new tracks, particularly "Check My Brain", fit in perfectly with the classics. We're treated to an acoustic set in the middle, before we go full steam ahead towards the encore, finishing with a rousing and emotional "Rooster", the screen adorned with the words "NO WAR". William DuVall proves to be a more than competent replacement for the late Layne Staley, his voice is incredibly similar and just as intoxicating. Jerry Cantrell is brilliant, harmonising beautifully with William throughout, and it turns out he's a pretty good guitarist too. A classic performance from a classic band that actually cannot really be faulted. (10/10)

Monday, 2 November 2009

bit more music now...

Two more gigs to report on today.

Dananananananananananananaykroid (number of anananananas varies) and support
Scala at King's Cross

In poor journalist form, I knew very little about the band before I came to this having only listened to a few tracks on their myspace page and thinking "it's OK".
I knew even less about the support bands. The first of these, "Calories", had to come up against the might of the 8 people in the venue when they started, but they seemed very relaxed and spent the first minute joking with us. More came in after they had begun. Musically they're OK, probably fitting into what some may refer to as the "indie" label, and they do well for not having practised for a month due to illness (they told us this). They're by far the funniest guys on the stage tonight, and the fact they seem to be really enjoying themselves very much helps their cause. (7/10)
If you were in the bar when the nest band "Dinosaur Pile-up" start to play, you' d be forgiven for thinking that Kurt Cobain had come back to life and had reformed Nirvana. If you were actually in the hall, you'd be forgiven for thinking that Kurt Cobain had come back to life and had reformed Nirvana. The sound, the looks, the moves while playing are all taken from the famous grunge band (though the between song banter is more chatty and jocular than theirs). They're not bad at re-creating the style, but you'd have to wonder what Kurt would have said about a band with absolutely no originality whatsoever. (4/10)
Then come the main act. They do have some originality, and plenty of energy. The two singers jump around, interact with the crowd (physically and vocally) and generally have fun the whole night. The same goes for the rest of the band. They are talented, energetic and interesting, something you don't really get from their recordings; Every one of their songs sounds 10 times better live. A truly great performance that has left many of those in attendance wanting more. (9/10)


Frank Turner and support
Shepherds Bush Empire

Folky folky folk folk folk. Yes.

First act on tonight is Beans On Toast, basically a guy with a gruff voice singing (not particularly well) about being annoyed about things. At first he doesn't really appeal, but after a few minutes you see what he's saying. His songs are simple, and often amusing. His rapping accompanied by an accordion is welcome and helps to break up a set which otherwise would have gotten boring fairly quickly. (6/10)
Fake Problems start off similarly not really appealing, but they don't get better. Its pretty dull stuff really. But a few people seem to like them (not sure why), so they get some kudos at least. (5/10)
After this, the stage goes dark and a traditional English folk song comes over the PA. The band appear on stage, and start up with "Live Fast Die Old." Then to a huge roar appears Frank Turner, and the dancing commences.
Turner has a lot of energy tonight, especially for the last date on the tour. He sings passionately on every song, backed up by the 2,000 fans belting out his songs as if they were their own. New single "The Road", "Try This At Home" are early highlights, but the show just gets better. "Sons Of Liberty" conjures up images of Bill Bragg gigs, fists pumping in political harmony. But what Frank Turner does well are songs about his life and his mates, proved tonight by rousing renditions of "I Knew Prufrock Before He Was Famous", "Reasons Not To Be An Idiot" and "Long Live The Queen". "Photosynthesis" is a good choice to go out on (and thank god he did an encore, not leaving us with "Journey Of The Magi", the worst song of the set), and rounds off a fantastic and clearly emotional night for Frank. (9/10)




Monday, 26 October 2009

Beware the cost of war exhibition at Blackall Studios

Today (Monday) saw a change in my timetable, instead of my usual features class we were asked to go to a photography exhibition curated by Yoav Galli, a student at City University on the Olive Tree programme, detailed here. His and other photographers themes were their experiences of the continuing wars between Israelis and Arabs on the west bank, Gaza strip and in Yoav's case in Lebanon. All the photographers are either Israeli or Palestinian, showing what happens on their doorstep.

Some of the photos were striking. Some disgusting. There was the usual crying babies and anguished families and friends of those who had been killed, but we also saw some pretty gruesome stuff: Dying, rotting bodies (often with missing limbs/ heads), injured soldiers with blank expressions, but the images that shocked me most were of dead children, sometimes buried in rubble so that all you can see is their heads. The more horrific images were shown in a seperate presentation by three of the photographers in the exhibit, Yoav, Mohammed Abed and Lior Mizrahi. So I'll focus on some of the ones in the actual exhibition.

Yoav's were mostly of Israeli soldiers in Lebanon, with whom he had been embedded (whereby a Journalist is placed in a troop to report on what they are doing). This was the soldiers with blank expressions and blood dripping down their faces after being hit unexpectedly.

Mohammed's were very familiar. One was what he described as "the first act of the war" (the most recent war in Gaza in January this year), when a group of graduating police officers in gaza were bombed by the Israelis. The background features lifeless bodies on the ground, but the foreground is more striking, an injured officer reaching toward the camera, his face one of fear and pain. This image was used for the cover of the Guardian's G2 insert, for a special feature on the Gaza war. It has stuck with me since then. Another of his photos was used along with others in a campaign by Human Rights Watch earlier this year. From the same war, it is an image of the UN refugee school being bombed by White Phosphurus Shells. The images are incredible, and he can't of been more than a few metres away from being hit (he said he could even smell it as it was falling). It was concrete proof that Israel had used an illegal weapon. Nothing has yet been done.

I didn't remember which photos in the exhibition were Lior's, but in his presentation he showed us a few photos of palestinian civilians in clashes with Israel border guards, as well as a few suicide bombings, and even a photo from the funeral of Yasar Arafat.

Of the other photographers, there were one or two that made my jaw drop. A photo by Mahmoud Hams of a missile just about to drop in the middle of a running crowd was particularly awe-inspiring. Bloggers had accused the photographer of photoshopping the missile in, but Yoav showed us the original. It was real. It was an incredible capture.

Another, taken by Fady Adwan, took me a couple of looks to realise the horror of it. The focal point is a dead man on the street in the arms of his friend/ relative who is crying. A usual horrific photo, but a slight glance to the left and you see it, a man with half his head blown off.

This exhibit made me feel a little sick, but more so it made me angry. Why had no-one done anything about the use of White Phosphurous? Why were there all these people who had been training to help keep the peace lying dead? Why do these two peoples keep this fight going despite growing international pressure to get talking? Why are the Israelis so over the top in their retaliation? There are answers to these questions, and they just make me more angry.

But I think my friend Dan made a good point. "3o years ago, we'd be out on the streets chanting against this. Now, we see the photos, say how horrible it all is, and do nothing." That probably needs to change.