Wednesday 29 December 2010

Top Albums of 2010: Part 2

Part 2! The bit you’ve all been waiting for (and definitely care more about than most other people’s top 10). So here were go:

10. Gogol Bordello- Trans-continental Hustle

Gypsy-punk is one of those odd genres that only exists really to accommodate one or two bands. Gogol go very neatly into it. The nutty Romani tribe have released an absolute gem here, bringing together politics, love and general silliness into their unique style. The folksy Pala Tute and My Companero kick the album off brilliantly, building to the fantastic Immigrada and finishing off with the folky title track, as they take you on a journey through punk-folk perfection. As main support to Rage Against The Machine for their free Finsbury Park show, they have started to break even further into the public eye.

9. Gorillaz – Plastic Beach

The third instalment from the animated band, which has morphed into a huge machine including a string quartet and plently of guest stars. Many have said this album sees Gorillaz taking a big move towards Pop. This is obvious in singles Stylo and Superfast Jellyfish, which have the simple and catchy melodies, but the usual portion of guest rappers is still present. There are a lot of guests on this album, and I was afraid this might detract from the music. But instead it adds something to the experience, to know that a large group of very talented musicians have come together to create something so mellow and chilled, perfectly capturing the warm image Damon Albarn wanted, while still making you question the relevance of our plastic obsessed world.

8. 36 Crazyfists – Collisions & Castaways

It’s almost impossible to imagine this band releasing a bad album. Each album they release provides a different take on the metalcore template they helped to build, but every time it is distinctly them. Whether it’s Brock’s almost warbling voice, or the perfect offset of crunchingly heavy and beautifully melodic, this album definitely Crazyfists. From the opening acoustic fade-in of In The Midnights through some of the heaviest tracks the band have produced, we see a true testament to how crazyfists can adapt and modernise their sound to fit what is happening around them, and yet still stand out from the crowd. How they haven’t properly broken into the mainstream is somewhat a mystery.

7. Dan Le Sac vs Scroobius Pip – The Logic Of Chance

An album that didn’t make the midyear top 5, yet now comes above two that were... told you to ignore it. But what we have here is another genius hip-hop album. Scroobius Pip’s insightful lyrics flow from his mouth as he schools us on such wide topics as the state of the country in Great Britain, love in Cauliflower and music snobbery in the standout track, the aptly titled Snob. It’s political, pointed, yet still something beautiful. They may be white, bearded and from Essex, but these guys know their hip-hop. Perhaps more importantly, they know their music.

6. Cancer Bats – Bears, Mayors, Scraps and Bones

With Hail Destroyer being such a solid album, you'd think Cancer Bats would struggle to build on it. Yet this is possibly their best album to date. From the pounding opening of Sleep This Way, through the hardcore swagger of Black Metal Bicycle and Doomed To Fail and finishing with an epic cover of Sabotage, we are given a master-class in hardcore. There are thrash tracks, slow pounding tracks and modern groove-metal classics, we have the whole spectrum making this a brilliantly varied album. This band were without a doubt a highlight of Download this year, and after more great shows on their tour it looks like they're going from strength to strength.

5. Avenged Sevenfold – Nightmare

2010 could well have been a nightmare for A7X. With drummer The Rev dying in late 2009, halfway through the recording of this album, there was no knowing whether they could carry on without their friend. But they were able to call upon one of The Rev’s (and my) heroes, Prog Metal legend Mike Portnoy. And he’s worked wonders. The album is a drummers wet dream, but other than that it’s a fantastic rock album. Quite possibly, it is their best work to date. Title track Nightmare perfectly encapsulates how far the band has come from the early, heavier days into something more mature, more solid. Welcome To The Family, Natural Born Killer, God Hates Us, show off Portnoy’s already well-known percussive prowess, while Buried Alive show how well M Shadows has developed his voice, less whiny and high-pitched than before. It is a huge album for them, and with a slot on the Download Main Stage next year, it looks like it’ll be another exciting year.

4. The Damned Things – Iconiclast

The newest entry, only released in December this year, but one that absolutely cannot be ignored. When you put together Keith Buckley & Josh Newton (ETID), Scott Ian & Rob Caggiano (Anthrax) and Joe Trohman & Andy Hurley (Fall Out Boy), someone is going to be at least interested. And so they should, because this is a brilliant heavy rock n roll album. First single We’ve Got A Situation Here sounds like a modern Thin Lizzy track, and the whole album bleeds traces of Led Zeppelin, Deep Purple and other heavy blues-orientated rock bands from the 70s. If they’d been born today, this is what they’d play. It is revivalist, but at the same time modern and new. Brilliant.

3. As I Lay Dying – The Powerless Rise

Well, this is just amazing. As I Lay Dying's last album was an absolute cracker, defining their sound and maturing into one of the best metalcore bands ever. It was going to take something spectacular to beat it, and that's what they've done. Brutal riffing with sing-a-long choruses is what AILD do best, and there is plenty of that on The Powerless Rise. It comes flying at you from the first brutal guitar riff, and doesn't let up until the last note fades away. Anodyne Sea and Parallels are almost the perfect metalcore songs, Without Conclusion is one of the heaviest songs they've ever written, yet the lyrics are extremely profound and soulful. This is without a doubt their finest hour, and as another band who slayed at Download this year, it just goes to show how fantastic the line-up really was.

2. The Dillinger Escape Plan – Option Paralysis

And another band who stunned Download this year (are you starting to see a trend here?). Having for years been at the forefront of avant-garde metal, they have been creeping ever more towards the commercial side of the genre, while still keeping the distinctive, spasmodic sound. This album continues this, becoming their greatest album to date. Starting typically offbeat and crazy, we navigate through the absolutely mental in Endless Endings to the sublime Widower, arguably their best track ever. There are bits to sing-a-long to, bits to go nuts to, bits to sit back and listen to, soaking up the brilliance of this very special band. It is, without a doubt, an absolute masterclass in experimental music.

1. Deftones – Diamond Eyes

And so to number one. And even with the vast amounts of incredible music having been released this year, it just had to be this. And again, it hasn’t been easy for them. After Chino’s rehabilitation and a devastating car accident that left bassist Chi Cheng in a coma, it looked bad for Deftones. They scrapped Eros, the album they’d been working on, but luckily moved on to this. It's been hailed by some as their best ever, and those some are not far off. On Diamond Eyes we are treated to the full range of Deftones unique style, from the crunching heavy licks of Rocket Skates to the ethereal, wandering melodies of Sextape, with others such as the title track that mix the two for epic results. Although there are arguably less stand out tracks as previous offerings, the album as a whole is a clever, solid and beautiful piece of work that shows off just how fresh Deftones can be with each album, yet still keep their instantly recognisable sound. Live the new tracks have sounded powerful, fitting in perfectly with the rest of the back catalogue, blowing audiences minds as they have been for years. It is a testament to the band that they can still produce some of the best music around after this many years, surely now it must be their time.

So that’s it. My top 22 of the year. If you disagree, let me know, and tell me if I missed something.

Top Albums of 2010

It’s been a mixed year for music in my world. Amongst the multitude of fantastic albums and live shows there has been sadness, with the deaths of Ronnie James Dio and Paul Gray, both huge influences within the metal world. Then there’s been drama. Hero Mike Portnoy’s joining Avenged Sevenfold, leaving Dream Theater and ending the year in neither. The Big Four played together for the first time at Sonisphere Festivals across Eastern Europe, and have now announced they will play at Knebworth in 2011 (cue me exploding). Overall, it’s been a very exciting year.

But now it’s nearly over. And as is the norm, it’s time for the top 20 albums of the year! As faithful followers of the wigwam will know, I did a top 5 half way through the year. If you read that, well, forget it. Things have changed. If you didn’t, then you’re in luck, you won’t be confused. Here goes:

22...

Oh yeah, it’s a top 22. Couldn’t decide which to get rid of. ANYWAY...

22. Chromeo – Business Casual

It’s business as usual for the world’s most successful Arab/ Jewish collaboration. An accessible slice of funky electro, this is what Chromeo do best. Maybe not as good as the critically acclaimed ‘Fancy Footwork’, but it’s certainly an excellent follow-up.

21. Bullet For My Valentine – Fever

Not wanting to tire out the old Marmite analogy, but there is a lot of love and a lot of hate for this band. The album is a solid piece of melodic metal, and it deserves at least a mention for the fervour they create.

20. Parkway Drive – Deep Drive

Parkway have been hailed as the best metalcore band around right now, with this album being the epitome of the genre right now. They aren’t and it isn’t. It is, however, a great album (though it did take a while to grow on me) and it’s certainly up there with this year’s exemplary offerings, hence its placement here.

19. Rolo Tomassi – Cosmology

This band is baffling. Not just their spasmodic sound, but that with it they’ve managed to grace the pages of NME (the more cynical of us will come up with various reasons why). Cosmology is hectic, frenzied, experimental, but it isn’t just a random mashing of buttons that some bands seem to ply their trade in.

18. Manic Street Preachers – Postcards From A Young Man

Nicky Wire described this album as various things before it’s release. Heavy Metal meets Motown was an early prediction, and he compared to Aerosmith’s ‘Pump’. Neither is particularly accurate. ‘Postcards...’ is more a mix of the early and middle parts of the band’s history. You can hear the influence of the angry and political ‘Generation Terrorists’ tracks with the mellower, poppy material from ‘This Is My Truth, Tell Me Yours’. It’s commercial, and it works.

17. The Melvins – The Bride Screamed Murder

Sludge Metal wasn’t even on my radar until this year. But if you’re going to start listening to it, The Melvins are a good way to go. The latest is as good an album as any of theirs to introduce you to a legendary band.

16. The Hold Steady – Heaven Is Whenever

A modern Bruce Springsteen in band form. This is a good enough way to describe The Hold Steady, and indeed this album. The tracks are great pop songs, and lyrically it’s almost as good as ‘Girls and Boys in America’. And that’s saying a lot.

15. Airbourne – No Guts, No Glory

There is no way you can’t enjoy this album. OK, they’re essentially an AC/DC cover band with delusions of grandeur, but that’s why they’re such fun. Fantastic live, fantastic on record, they are a full package. Cheers guys!

14. Royksopp – Senior

Kings of relaxing electronic music, the Norwegian duo returned with the followed to last years aptly named ‘Junior’. Although arguably a much weaker release, it’s still a well produced, well written chill-out album.

13. Torche – Songs For Singles

Another sludge metal band who only really registered for me this year. And another album which, although not as good as its predecessor, is a perfect next step. Thanks to their more poppy style, it’s a more accessible affair, and one which will hopefully push them more into the mainstream.

12. All That Remains – For We Are Many

A band that keeps getting better, and this album doesn’t break the trend. All That Remains are one of the more distinctive metalcore bands, thanks to the frontman Phil Labonte’s powerful voice. They’re band that often gets forgotten, but they certainly deserve more.

11. Haste The Day – Attack Of The Wolf King

When they came to the UK in April, very few people went to their barfly show. Those that didn’t missed out. It was incredible, and now sadly it will never happen again. But we can still enjoy their most accessible offering to date, including a genius cover of Black Eyed Peas’ ‘Meet Me Half Way’. It wobbles a bit on tracks such as ‘Dog Like Vultures’, but it makes up for it elsewhere with some of the best stuff they’ve written.

And that’s it for part 1. Part 2 comes probably tomorrow. Or maybe later. I have time to waste.